In the case of starting with a nice, clean sine, it may be as simple as inserting a Waves SSL E-Channel or G-Channel and simply boosting a little 40 Hz and maybe a bit of compression. So, the tools I use depend on which s I get. I know, I know - you're saying, how is that possible? But if you have a high workload, you will come across all types of s, from a simple, clean, beautiful sine wave, to an sampled from an mp3 that was time stretched and processed to sleep. I have found in my experience that s vary in character almost as much as vocals. There are various ways to get your s sounding big and powerful. Multiband transient tools can also be used to lift the Hz punch zone. If you want to shape the sound of a kick drum or in even more detail, you can zoom in a wave editor and cut-and-copy individual frequency cycles. If you do this, make sure that you join the transient to the body at a zero crossing and in context with the pitch movement of the body at the join. When distorting the body, you also get unwanted high harmonics, which the filter automation can tame to taste. I usually process the body and transient separately, then fade them into each other and compress. You can create or exaggerate these harmonics using distortion but a more precise way to do it is to use the Cobalt Saphira harmonics shaping plugin to enhance odd and even harmonics, which can help shape the tone of the body of an Another plugin that can help you add harmonics and shape the tone is Renaissance Bass. I then compress this using a CLA-2A compressorespecially when using the as a kick drum. Harmonics in s are really important, as are the pitch envelope and transients. I love s, both as kick drums and for creating bass lines. Here are their tips and techniques - from adding distortion, to sidechain compression, to shaping your harmonics and transients. Eight leading producers, mixers and DJs share their tips on how to get the most punch, clarity and low-end impact out of your drums and bass lines.īut they can also be a challenge to mix, often competing with other elements such as your kick and bass, and if not well-chosen or well-processed they can easily muddy up a mix. Please enable JavaScript in your browser in order to make this website functional.
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